Jennifer Retter |
I felt the story developing months before I had the nerve to
tackle it. When the time came to tackle it, I gave it my all.
Over the summer, word came through that a well-known teacher in the community had passed away after a short, aggressive bout of cancer. She left behind a husband and four children: three girls and a boy, the youngest. Worst yet, she passed away on the boy’s eighth birthday.
Interviewing two daughters about their mother’s recent
passing is certainly going to be no walk in the park, but you can at least make
tough situations doable by letting your interview subject(s) decide how deep to
take the conversation.
For example, instead of drilling in with a mom-centered
question from the get-go, I asked about how they received their nominations,
then eased into shopping for Homecoming dresses when they appeared comfortable,
which naturally lent itself to a comment from them about their mother not being
able to help. I let them mention her first, and my follow-up questions only
probed so slightly.
After knocking out story after story, I got in the habit of
never scripting interview questions. There simply wasn’t the time, and I felt
experienced enough to wing most interviews. In fact, I even had a college
professor who suggested we NEVER script interview questions; just let the
conversation flow.
For a tough or emotionally difficult interview, however,
it’s easier to over-prepare. Knowing that tears could flow at any time should
be enough to remind you that you don’t want to sit there stumbling if your interview
subject gets thrown off by emotion and your follow-up questions may no longer
be appropriate. Prep enough soft, underhand toss questions to fill awkward
breaks and get your subject feeling comfortable again.
As journalists, we often face emotionally difficult
situations. In my short time as a news reporter, I watched a family sob as
their home burned down – while I took pictures of the flames. But doing our
jobs means putting that emotion into understanding your sources, not losing it
in a breakdown of tears.
In my case, interviewing the two daughters wasn’t what got
me first. It was the way the little boy, with the fresh memory of his mother’s
death on his birthday, jumped up to shake my hand like a miniature gentleman
when I came by.
Unless a family member is a celebrity, it’s unlikely a
family like the one in my story would ever see a mass-produced non-fiction
account of a dear one’s passing. This is their one shot, and you better do it
right.
When I wrote my story about the daughters on the Homecoming
Court, I aimed for touching. After meeting the family, I saw their quiet
strength and excitement for life during their darkest days. I knew it needed to
be a story highlighting how the girls lived on in honor of their mother, who
would have been thrilled to see them shine at Homecoming.
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